News
- [2026.03] One paper:SingingBot is accepted by ICME2026!😀
- [2025.06] One paper is accepted by ICCV2025!😀
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Perceiving and Acting in First-Person: A Dataset and Benchmark for Egocentric Human-Object-Human Interactions
Liang Xu,
Chengqun Yang,
Zili Lin,
Fei Xu,
Yifan Liu,
Congsheng Xu,
Yiyi Zhang,
Jie Qin,
Xingdong Sheng,
Yunhui Liu,
Xin Jin,
Yichao Yan,
Wenjun Zeng,
Xiaokang Yang
ICCV 2025
In this paper, we embed the manual-assisted task into a vision-language-action framework, where the assistant provides services to the instructor following egocentric vision and commands.
With our hybrid RGB-MoCap system, pairs of assistants and instructors engage with multiple objects and the scene following GPT-generated scripts.
Under this setting, we accomplish InterVLA, the first large-scale human-object-human interaction dataset with 11.4 hours and 1.2M frames of multimodal data, spanning 2 egocentric and 5 exocentric videos, accurate human/object motions and verbal commands.
Furthermore, we establish novel benchmarks on egocentric human motion estimation, interaction synthesis, and interaction prediction with comprehensive analysis. We believe that our InterVLA testbed and the benchmarks will foster future works on building AI agents in the physical world.
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SingingBot: An Avatar-Driven System for Robotic Face Singing Performance
Zhuoxiong Xu,
Xuanchen Li,
Yuhao Cheng,
Fei Xu,
Yichao Yan,
Xiaokang Yang
ICME 2026
Equipping robotic faces with singing capabilities is crucial for empathetic Human-Robot Interaction.
However, existing robotic face driving research primarily focuses on conversations or mimicking static expressions,
struggling to meet the high demands for continuous emotional expression and coherence in singing. To address this,
we propose a novel avatar-driven framework for appealing robotic singing. We first leverage portrait video generation
models embedded with extensive human priors to synthesize vivid singing avatars, providing reliable expression and emotion guidance.
Subsequently, these facial features are transferred to the robot via semantic-oriented mapping functions that span a wide expression space.
Furthermore, to quantitatively evaluate the emotional richness of robotic singing, we propose the Emotion Dynamic Range metric to measure the
emotional breadth within the Valence-Arousal space, revealing that a broad emotional spectrum is crucial for appealing performances.
Comprehensive experiments prove that our method achieves rich emotional expressions while maintaining lip-audio synchronization, significantly outperforming existing approaches.
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